09/18/23
events
HELEN CAMMOCK in NEW ORLEANS — A polyphonous exhibition of film, poetry, performance, archival documents and books, 10/14/23 – 12/17/23
[...]12/23/22
reviews
Times Literary Supplement | THE HOTEL by SOPHIE CALLE: “Is there judgement in Calle’s photograph, and if so, who is being judged?” —Lauren Elkin
[...]11/01/22
features
Air/Light (Interview) | Nicole Rudick and Sam Stephenson dive into the life of Niki de Saint Phalle and the nuances of shaping a biography
[...]10/25/22
reviews
Lit Hub | “A challenge to the publishing industry to become less merchants of books and more agents of curiosity and ideas” —Elissa Schappell on Siglio
[...]10/20/22
events
Steve Beresford and Xenia Pestova Bennett play Call and Response on two pianos, toy objects and electronics at Iklectik Art Lab in London, 10/24/22
[...]10/05/22
events
Join Bookartbookshop for a little, fizzy celebration of Call and Response with a signing by Steve Beresford at the Small Publishers Fair in London, 10/29/22
[...]10/01/22
events
Siglio at BOOK FAIRS IN NYC, FALL 2022 — Hooray! Printed Matter’s NY Art Book Fair, 10/13–16
[...]07/01/22
events
Christian Marclay & Steve Beresford launch Call and Response at the Vortex Jazz Club in London, with a performance by Pat Thomas
[...]04/02/22
reviews
The Nation | What Is Now Known … niki de Saint Phalle: “Her most feminist gesture may have been the creation of herself” —Jillian Steinhauer
[...]03/02/22
reviews
BOMB | What Is Now Known … Niki de Saint Phalle: “The narrative that Rudick presents is frank and unsparing” —Bruce LaBruce
[...]02/20/22
reviews
Vanity Fair | What Is Now Known … NIKI DE SAINT PHALLE: “A posthumous narrative; a ghostly collaboration” —Keziah Weir
[...]02/15/22
reviews
Brooklyn Rail | ROCK OF EYE by Troy Montes-Michie: “Stitching is a violent and healing act—puncturing as well as uniting” —Megan Liberty
[...]12/20/21
reviews
Alta | ROCK OF EYE by Troy Montes-Michie: “It revels in contradiction, ambivalence, beauty, queerness, time, and place” —Rasheeda Saka
[...]12/01/21
reviews
Brooklyn Rail | “It Is What It Is” by Richard Kraft: “A real-time diary that’s a dazzling testament to its subject’s basic incomprehensibility.” —Leah Ollman
[...]11/17/21
reviews
New Yorker | THE HOTEL BY SOPHIE CALLE: “What interests her most is the seduction and projection involved in knowing another person” —Lili Owen Rowlands
[...]11/08/21
reviews
Photo-Eye | THE HOTEL by SOPHIE CALLE: “Calle proves that few if any spaces are ours and ours alone” —Odette England
[...]11/05/21
reviews
Washington Post | “It Is What It Is” by Richard Kraft: “There’s something weirdly haunting about Kraft’s record with its regularity and manic determination” —Ron Charles
[...]09/01/21
reviews
Bookforum | “IT IS WHAT IT IS”: “Stubborn systematism … and touchingly futile attempt to collate ephemeral news and prevent forgetting” —Fran Bigman
[...]02/01/21
events
Paul Chan and Lucy Ives in conversation about the work of Madeline Gins — Saturday, February 27, 3:30–5pm EST online at the Printed Matter Virtual Art Book Fair
[...]01/31/21
events
Richard Kraft and Mónica de la Torre in conversation — online at the Brooklyn Rail’s New Social Environment, February 26, 2021
[...]01/19/21
events
Lisa Pearson and Connie Lewallen in conversation about the origins of Siglio and more — online at The Brooklyn Rail’s New Social Environment, 1/19/21
[...]11/23/20
reviews
The Millions | FELIX GONZALEZ-TORRES: “Visibility is key for public awareness … It also presents the conundrum, how to commemorate an absence?” —Anne K. Yoder
[...]09/07/20
reviews
New Yorker | Memory by Bernadette Mayer: “It is happiest in the in-between, and hyperalert to its own transit from one word and image to the next.” —Dan Chiasson
[...]08/21/20
reviews
Times Literary Supplement | MEMORY: “It combines the permutational prose of Gertrude Stein with the casual coterie references of the New York School poets.” —Craig Dworkin
[...]07/01/20
features
Tupelo Quarterly (Forum) | Danielle Dutton, Lucy Ives & Lisa Pearson participate Feminist Poetics of the Archive, curated and moderated by Karla Kelsey
[...]06/30/20
events
Daily readings in July from Memory by Bernadette Mayer as a parallel durational work to celebrate the new book — Poets House, everyday at 3pm EST
[...]05/09/20
reviews
Hyperallergic | MADELINE GINS READER: “Gins’s I-as-reader is porous, delivering a vision of human subjectivity always in excess of the singular self” —Karla Kelsey
[...]05/01/20
reviews
4 Columns | MADELINE GINS READER: “… not only sign, sound, and symbol, but mist, breath, substance, season, measure, odor, numeral …” —Quinn Latimer
[...]04/01/20
reviews
Bookforum | Memory by Bernadette Mayer:“It is as much a conceptual exercise as a diaristic one, a Hydra dancing at the intersections of language and image” —Jennifer Krasinski
[...]06/27/19
features
Tank Magazine (Interview) | Square Octagon Circle: Ellie Ga,“an artist of the intrepid … voyaging through histories, mythologies and languages” talks with Anna Della Subin
[...]12/07/17
reviews
Bookforum | Vincent Sardon’s The Stampographer: “Sardon has erected his own bawdy bureaucracy … and proudly serves as it notary public” —Juliana Halpert
[...]09/26/15
reviews
Xtra | Dorothy Ianonne’s You Who Read Me With Passion…: “Her bold embrace of sex and love in her work is matched by robust drive toward … inventive forms of autobiography.” —Kate Wolf
[...]07/19/15
events
Robert Seydel: The Eye in Matter — “I’ll invent who I am, against what is. My time and name: a Queens of the mind.” an exhibition + events at the Queens Museum, NYC, 2015
[...]06/20/14
reviews
Bookforum | Not Nothing: Ray Johnson: “An opportunity to sample one of the most subversively witty intelligences to paste, draw, and type in the last half century.” —Albert Mobilio
[...]04/18/14
reviews
From the archives | Ray Johnson Reviews + Ray Johnson Reviewed: “The Paper Snake is copyrighted, I don’t know why—that seems excessive caution.”
[...]01/01/14
reviews
Best Books 2013 | Bough Down by Karen Green: “One of the most singular books I read this year—a book that left an indelible impression on me” —Meghan O’Rourke
[...]08/26/13
reviews
The Millions | BOUGH DOWN by Karen Green: “It resists naming her dead husband, the author, or his texts — making him, instead, her own shadow figure” —Suzanne Scanlon
[...]05/01/13
reviews
Artnews | O! Tricky Cad & Other Jessoterica: “Jess inaugurated a universe of ceaseless fluctuating, erudite wordplay and poetic transformation.” —Elizabeth Kley
[...]12/01/12
reviews
Art in America | O! Tricky Cad & Other Jessoterica: “His text-heavy collages, concrete poems and détourné comic strips blur the boundary between reading and seeing.” —Ben Lerner
[...]10/11/12
reviews
Brooklyn Rail | Tantra Song: “The image as a threshold leading to … a revelatory understanding that some images are more than mere data; they are instead vital seeds, living carriers of possibility.” —Craig Olson
[...]05/17/10
features
BOMB (Interview) | Nancy Spero’s Torture of Women: the book’s designer talk about translating the monumental work into the intimacy of the book
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