“The Rabbits are in the Stars”Following the Hare in Robert Seydel’s Notebooks
affinities, 09/10/14
Selected and arranged by Claire Cronin
Artist-poet Robert Seydel created many works using the persona of Ruth Greisman, whose emblem was the hare. The following is a constellation of notes and quotations from Seydel’s notebooks (which he called “Knotbooks”) and includes collages and journal pages by Ruth from Book of Ruth and A Picture Is Always a Book. Some of Seydel’s notebooks are currently on display at “Robert Seydel: The Eye in Matter” at Smith College. This blog post is meant to be a kind of virtual vitrine to extend the exhibition online. Any idiosyncrasies of spelling or abbreviation reflect Seydel’s style. —CC
1.
NOTEBOOK #44, NOVEMBER 29, 2010
“And to feel that the light is a rabbit-light,
In which everything is meant for you
And nothing need be explained”
—Wallace Stevens, “A Rabbit as King of the Ghosts”
2.
NOTEBOOK #26, MARCH 19, 2006
Something rolls in me: madness of solitude perhaps. But it opens to a vision of space brighter even than Queens. I sit in the center of it like a rabbit smelling the grass stalks.
—Ruth
3.
4.
NOTEBOOK #39, OCTOBER 12, 2008
“I see the edge of the grey tarmac + every individual blade of grass, I see the hare leaping out of its hiding place, w/ its ears laid back and curiously human expression on its face that was rigid w/ terror + strangely divided; + in its eyes, turning to look back as it fled + almost popping out of its head w/ fright, I see myself, become one w/ it.”
—W.G. Sebald, The Rings of Saturn
5.
6.
NOTEBOOK #23, MARCH 13, 2005
word: a hare
in a bush. Person
a hare-hunter?
Escape: Animal.
Hare – the human.
—Ruth
7.
NOTEBOOK #25, SEPTEMBER 18, 2005
march hare – “hare in breeding time, proverbially regarded as an ex. of madness” – Dictionary
march-mad – “excited, rash, w/out self-control”
“mad as a march hare”
“first catch yr hare” – an aphorism: “to the effect that, before disposing of a thing, make sure of yr possession of it”
hare-brained
hare – “v.t. to excite, tease, or worry”
hare – order Lagomorpha, “any of various gnawing mammals”
hare-hearted – “timorous”
hare-lipped
harefoot – “figuratively, a swift-footed person”
8.
9.
NOTEBOOK #25, OCTOBER 13, 2005
“The rabbit hops alternatively btween field + kitchen garden + is both cuddly + demonic. It bears a streak of lunacy that almost seems to signify its schizophrenia. Its notorious reproductivity, promiscuity, + harebrained behavior are keyed to the moon + the seasons. It was formerly called a ‘coney,’ from cuniculus, from which also comes ‘cunt,’ + the Playboy bunny is at least as old as the eighteenth-century ‘cunny house.’ For centuries rabbit skin was made into underwear. When tabooed animals can be so closely associated w/ such heavily stressed areas as the body openings, the interdictions relating it to language are greatly intensified.”
—Paul Shepard, Thinking Animals
10.
NOTEBOOK #25, SEPTEMBER 6, 2005
“For me the hare is the symbol of incarnation. The hare does in reality what man can only do mentally: he digs himself in, he digs a construction. He incarnates himself in the earth.”
—Joseph Beuys, Actions, Vitrines, Environments
11.
12.
NOTEBOOK #44, DECEMBER 2, 2009
“These are words + their words holler hollowly in the rabbit burrows, in the metaphors, in the years of our life.”
—Jack Spicer, “A Textbook of Poetry”
13.
NOTEBOOK #43, SEPTEMBER 30, 2009
Great fish,
rabbits
Paradise
is in them
as it’s not in me
14.
see also
Books
A Picture is Always a BookFurther Writings from Book of RuthEdited and with an essay by Lisa Pearson
Excerpts
Making The Hand Obey Another’s PsychologyRobert Seydel interviewed by Savina Velkova
Events
Robert Seydel: The Eye in Matter Queens Museum, July 19–September 27, 2015Curated by Peter Gizzi, Richard Kraft and Lisa Pearson
Affinities
Arranging One’s Books, No. 2 Robert Seydel’s library and a reading listPhotographs by Richard Kraft
Affinities
On the Art of Robert Seydel and the Construction of “Ruth”Lisa Pearson
Excerpts
Afterword to A Picture Is Always a BookFurther Writing from Book of Ruth by Robert SeydelLisa Pearson
✼ the improbable:
from Issue, No. 1 (Time Indefinite), “Dick Higgins, Publisher: Notes Toward a Reassessment of the Something Else Press Within a Small Press History” by Matvei Yankelevich: “To find connections between poetry, small press publishing, and the art scene of the early 1960s, one may look no further than Higgins’ own network.”
[...]