three six five: prompts, acts, divinations(an inexhaustible compendium for writing)

Lucy Ives

with drawings by Nick Mauss

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$36.00

hardback, 6 x 7.75 in.
416 pages, 42 bw drawings
978-1-938221-37-8
pub date: May 4, 2026

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PDF Press Release

Read an excerpt at The Paris Review!

There are 365 exercises for writing in this book, but it is not simply a book of writing exercises.

three six five is a “how-to” book of questions—not answers. It is an ars poetica of expanding possibility, a tarot deck of acts instead of images, a book of bending hours, a diary of contemplation and imagination, an antidote to consumption in the shape of care and attention.

These prompts, acts, and divinations—in alchemical combinations with new drawings by Nick Mauss—invite both aspiring and experienced writers to learn and unlearn, to mine memory and forgetting, to enter impossible spaces and create new ways of telling time, to inhabit multiple, other, and conflicting perspectives, to discover the elasticity of language and its constraints, to write by drawing, walking, listening, and even by being distracted.

While this is an inexhaustible compendium for writing, it is also an enduring reservoir for those who have no desire to be(come) a writer. Many exercises take the form of play, encourage collaboration with friends, strangers, and non-human beings, and operate off the page, often in the world, in the spirit of discovery rather than result. All intend to nurture and cultivate possibility.

Tracing the lineage of Yoko Ono’s Grapefruit and Raymond Queneau’s Exercises in Style, novelist, poet, and critic Lucy Ives offers encouragement, candor, and a deep appreciation for the vagaries, wonders, and challenges of a writing life.

 

about the author & the artist

Lucy Ives is a novelist and critic. Her most recent books, both from Graywolf Press, are Life Is Everywhere: A Novel and An Image of My Name Enters America: Essays, winner of the 2024 Vermont Book Award in Creative Nonfiction. Ives’s work has appeared in Artforum, Harper’s, The New York Times Book Review, The Paris Review, and Vogue, among other publications. A recipient of an Andy Warhol Foundation Arts Writers Grant, she has taught at Brown, Cornell, and New York Universities. Ives previously collaborated with siglio as the editor of The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader.

nick mauss is a multidisciplinary artist working in drawing, dance, performance, ceramics, and other media. He is also a writer. His work has been included in gallery and museum exhibitions worldwide, including solo shows at Kunsthalle Basel, Museum Ludwig, Cologne, and at 303 Gallery and the Whitney Museum of American Art, both in New York City.

more that might be of interest, including events and workshops

Read a fascinating interview with Ives by Shiv Kotecha at Public Parking.

Events in April in Massachusetts: a workshop at Unnameable Books in Turner Falls on Saturday, April 11, and on Sunday, April 12, a presentation and scattering of prompts at at Artists Book Day at the Clark Art Institute in Williamstown. siglio will be there tabling, too—11 am – 4 pm!

Also, Ives is teaching a year-long, generative (and remote) course—“Lucy Ives: A Year of Sundays,”—for both new and experienced writers, offered by Poets House, and based on three six five.

Check back here for new announcements of more events, etc.!

see also

Books

The Saddest Thing Is That I Have Had to Use WordsA Madeline Gins ReaderMadeline Gins

Edited by Lucy Ives

Features

Feminist Poetics of the ArchiveA Forum at Tupelo Quarterly

Karla Kelsey, curator


✼ the improbable:

A miscellany of investigations, rants, manifestos, meditations, studies, lists, questionnaires, film scripts, and more in Issue 1, No. 1 Time Indefinite. A few excerpts her and there.

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