Reviews
Dick Higgins: Directing Fluxus’ “oppositional energy and playful anarchy toward the unlikely medium of print”
James Gibbons writes in HYPERALLERGIC: “This volume imparts a nuanced sense of a man who . . . made a sustained and messy effort to create a worldly space for a certain kind of art, performance, and writing—and life.”
Frail Sister reviewed at The Paris Review Daily: “Symphonies in Matchboxes”
Yevgeniya Traps writes on THE PARIS REVIEW DAILY: “Juxtaposing words and images, Green makes texts that are elliptical, resonant, impervious to description. They are poetic vitrines. They are exotic butterflies pinned to vellum. They are symphonies in matchboxes.”
The Rumpus interviews Siglio publisher Lisa Pearson
Lisa Mecham interview Siglio publisher Lisa Pearson for THE RUMPUS about Siglio’s mission statement and what the 10th anniversary means to the press,
The Stampographer by Vincent Sardon wins a prestigious 50 Books/50 Covers award!
The Stampographer was “one of the best covers of the fall [2017] season” said Steve Heller last year. This year it won a highly coveted award for cover design!
New York Times Best Photo Books 2017: Teju Cole picks Eternal Friendship
Teju Cole at the NEW YORK TIMES: “Anouck Durand’s photo-novel is bewildering, peculiar and smart, a matryoshka doll of a story … A brilliant rerouting of photography that reminds me of those strange documentaries by Werner Herzog, say, or Chris Marker.”
The Stampographer: Reviving the Dadaist Tradition of Artful Mischief
Juliana Halpert writes in BOOKFORUM: Vincent Sardon’s rubber-stamp artworks, on jolly display in The Stampographer, revive the Dadaist tradition of artful mischief.