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Niki de Saint Phalle (auto)biography in Vanity Fair: “A ghostly collaboration”

(Review) What Is Now Known Was Once Only Imagined: An (Auto)biography of Niki de Saint Phalle by Nicole Rudick VANITY FAIR KEZIAH WEIR Originally publishing in the February 2022 issue.

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Siglio at the SMOL Fair—an online alternative to AWP: March 19-26

Over 250 small presses are “gathered” at the SMOL Fair, March 19-26. If you’re not able/willing to go to AWP (we bowed out this year), then this is a great […]

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Photo-Eye: The Hotel probes “complex relationships between photography, discretion, instinct, and appetite”

Odette England writes at Photo-Eye: Calle takes to words like a surgeon wielding a favorite ten-blade. Each sentence is a balance between rudimentary and essential. So too with her camera.

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Washington Post reviews “It Is What It Is”: “weirdly haunting … manic determination”

Ron Charles at the Washington Post: “There’s something weirdly haunting about Kraft’s record with its manic determination and regularity.”

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Bookforum reviews “It Is What It Is”: “art as a survival tactic”

Fran Bigman writes in Bookforum: “There’s a redemptive element … Kraft’s idea of art as a survival tactic that makes beauty out of ugliness.”

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Lucy Ives in Frieze: The “book . . for Calle is a multivalent, carnal location”

Lucy Ives writes in Frieze: The “book for Calle is a multivalent, carnal location . . . You do not read The Hotel: you step into it, lie down, feel and smell.”

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