Women Artists & Hybrid Forms
Suite Vénitienne: “The parallel development of two selves”
David L. Ulin writes in THE LOS ANGELES TIMES: “The point is voyeurism…but it is also, and most essentially, an inquiry into the unbridgeable distances between us, the layers, the nuances, everything we cannot know.”
Suite Vénitienne: amateur espionage, compulsive curiosity and real excitement
Megan Burbank writes in THE PORTLAND MERCURY: “it’s an immersive piece that, at the intersections of performance, photography, and surveillance, remains hugely influential 35 years later.”
Work of Women Artists & Writers: Siglio Books and Resources
As a part of our commitment to publishing and advocating for women whose work—boundary-defiant and subversive—may be at the margins of mainstream arts and literary culture, Siglio has created this page devoted to the work of female artists and writers that we publish.
Dorothy Iannone at the Berlinische Galerie: “This Sweetness Outside Of Time”
Since the 1960s Dorothy Iannone has been seen as a pioneering spirit against censorship and for free love and autonomous female sexuality. She continues to go her own way without compromise, artistically and conceptually.
On publishing and gender inequality: Interview at Vida
Melinda Wilson interviews Lisa Pearson at VIDA: “The Count is a tonic to complacency, dispelling the notion that we will make progress without unambiguous action. It is a critical, multi-use tool: a disquisition with concrete impact. It’s about awareness and outrage, leverage and accountability, as well as about inspiration and activism.”
“The Humming State of Not-Quite-This-And-Not-Quite-That”
“It is almost that” evokes the humming state of the not-quite-this-and-not-quite-that, a state that conjures an awareness of what accepted categories cannot contain, what familiar taxonomies cannot order, what one medium cannot express, what a single language cannot circumscribe.