Affinities
Dorothy Iannone: The purposeful collision of two
Kate Wolf writes in XTRA: “An evangelist for sexual pleasure and unmitigated female sexuality, Iannone’s bold embrace of sex and love in her work is matched by an equally if not more robust drive toward narrative construction and inventive forms of autobiography.”
Dorothy Iannone: “What is she offering that we feel we need?”
Catherine Wagely writes in LA REVIEW OF BOOKS: “Because the book does not seem to be about but of Iannone, it presents an ideal opportunity to ask: Why does the 82-year-old artist feel so relevant and sage-like to women decades younger?”
Robert Seydel: Material bearing witness to imagination
Daniel Owen writes in HYPERALLERGIC: “Collage is homage, but also respiration. Seydel’s work reanimates the work of his forebears, who did the same for theirs, invigorating the tradition with unusual reverence and passion. “
Robert Seydel: Contamination and assemblage
Megan N. Liberty writes in ART IN PRINT: “To dissect [his collages] into separate components is to strip them of the qualities with which Seydel—correction, Ruth— imbues them. Collage is a triumph over the dispersion that haunts Benjamin’s collector.”
Robert Seydel: Reading is always an intimate act
Matthew Erickson in THE BELIEVER: “[Seydel’s] work was the result of a private dialogue with a range of artists and writers, with influences echoing off of each other through his daily working cycle, the nights spent processing the texts ingested in the morning.”
The Feminist Portal: the heterodoxical, sprawling expanse of work by women
Female artists don’t just stay in their disciplines; we experience, we forage, we play. —Eileen Myles